The Mission of Arts|Learning is to encourage active engagement of preschool through college students in developing their highest artistic and academic competence. We do this by advancing policies, practices, programs and partnerships to achieve a new level of excellence in teaching and curriculum development.
Our comprehensive approach:
• Re-imagines school and district models
• Builds networks and alliances
• Advocates for strong arts programs and for arts integration
• Facilitates partnerships among schools, higher education and arts organizations
• Provides professional development
• Convenes education leaders and art experts to promote awareness, dialogue and a sense of community
Vision Statement
Arts|Learning envisions all schools to be successful in preparing students for a fulfilled life in the 21st Century.
A|L believes that this is best accomplished through the arts as a central, unifying factor.
Strategies for Accomplishing the NALC Mission and Vision
Strategies to accomplish the Arts|Learning Mission and Vision, with the arts central to every activity, are accomplished through the work of three divisions.
1. Leadership & Policy Group is an agent for education reform. This division pursues the following activities:
2. Networking & Advocacy Group is a resource center and arts-advocacy umbrella for Massachusetts parents, teachers, administrators, associations of professional arts educators, museums and cultural organizations, higher education, and private education. Services include the following:
3. Teaching & Learning Group disseminates information on best practices of model programs of teaching in and through the arts. Services include the following:
Eric Oddleifson created the Center for Arts in the Basic Curriculum (CABC) to carry forward his ideas about the need for the arts to be central to the missions of all schools. CABC had a small but stellar board that included Cognitive Psychologist and Harvard University Professor Howard Gardner and Harriet Fulbright, former Director of the President's Committee on the Arts & Humanities. CABC published a significant library of new thinking on the efficacy of education through the arts, including articles by Oddleifson and Perrin, which is archived at New Horizons for Learning.
Mr. Oddleifson became a trustee of Walnut Hill School, one of three independent residential high schools in the
CABC merged with the Center for Arts and Learning to become the National Arts & Learning Foundation (NALF), a non profit organization housed on the Walnut Hill campus.
NALF changed its name to the National Arts & Learning Collaborative (NALC) to more accurately reflect its approach to fulfilling its mission by creating partnerships and networks among schools and a variety of institutions, organizations and individuals, to accomplish its goals.
NALC legally merged with the Massachusetts Alliance for Arts Education and became the state affiliate of the Kennedy Center Alliance for Arts Education Network, a coalition of statewide non-profit Alliances for Arts Education working in partnership with the John F.
Learn more about the history of the Massachusetts Alliance for Arts Education (MAAE).
NALC changed its name to Arts|Learning to indicate its wide range of programs related to arts, learning, and arts learning, without having to define or limit its geographical location in Massachusetts or nationally, and to merge all former NALC and MAAE activities under one new name.
The Massachusetts Alliance for Arts Education (MAAE), founded in 1980 by representatives from the arts and education communities, grew from a desire to support arts education programs in public schools across
Over the years, MAAE instituted successful public awareness campaigns, the most recent entitled "Strong Arts = Strong Schools," which was designed to bring to the attention of parents, legislators, educators, and citizens the importance of arts education. A conference series called "Leading with the Arts," shared best practices among
MAAE worked closely with the Massachusetts Board of Education (MBOE) to develop a strong, arts based curriculum, and with the Massachusetts Cultural Council (MCC) to advocate for the arts in the state.
While the impact of the arts on learning as well as personal and social development has been well documented, the arts have not yet been consistently incorporated into school curricula across communities and states. Research has demonstrated that the arts create a success-oriented learning environment by "fostering teacher innovation, a positive professional culture, community engagement, increased student attendance and retention, effective instructional practice, and school identity" (AEP Highlights, p. 3).
With the adoption of No Child Left Behind the federal government named the arts as a "core academic subject." While this brought optimism to arts advocates, NCLB’s focus on standardized testing in a few subjects has had a negative impact on untested subjects. According to the Center on Education Policy, 44% of school districts in the nation have cut time from areas such as art and music since the enactment of NCLB.
In response to this "narrowing of the curriculum," national efforts have been aligning to position the arts as essential to developing the “whole child” and to contributing to the development of 21st-Century workforce skills in an increasingly global society.
Through its "Whole Child Initiative," the Association for Supervision and Curriculum Development (ASCD) is seeking "to ensure our children become productive, engaged citizens." ASCD calls for educational opportunities that involve academic rigor and the development of 21st-century skills of critical thinking and creativity.
The report, "Tough Choices or Tough Times," has called for an overhaul of our educational system towards one that depends on a "deep vein of creativity" and a high level of preparation in the arts, and other subjects as an "indispensable foundation."
The Partnership for 21st Century Skills (P21), founded in 2002, brings together the business community, education leaders, and policymakers to define a powerful vision for 21st-century education and to ensure that students emerge from our schools with the skills needed to be effective citizens, workers, and leaders in the 21st century. P21's vision for learning includes the arts among core subjects, and learning and innovation skills that tie closely with arts learning such as creativity and innovation, critical thinking and problem solving, communication and collaboration.
According to the "Imagine Nation" poll, a majority of U.S. voters agree that building students’ imaginations to equip young people with the ability to innovate is as important as teaching them the academic basics. Nearly nine out of 10 respondents said an education in and through the arts is essential for cultivating the imagination.
In Massachusetts, Governor Deval Patrick's Commonwealth Readiness Project has developed policy recommendations for a ten-year education plan. New leadership at the state Department of Elementary and Secondary Education seems to recognize the value of the arts as evidenced in the passing of MassCore, a recommended program of high school studies that includes one arts credit. Massachusetts Secretary of Education Paul Reville has publicly acknowledged the arts as a direct conduit for developing 21st Century skills.
Massachusetts has become a P21 leadership state and has created a 21st Century Task Force that includes several arts advocates, and published recommendations in November, 2008.
To change public education we must find ways to broaden the curriculum to include learning in and through the arts so that the unique benefits that the arts provide can be available to all students.
We are pursuing a goal that is collective in nature and that requires both excellent programs and a sense of responsibility among educators, school administrators, teaching artists, non-profit/cultural partners, higher education, parents and funders. It is a moment when advocacy can have a great impact on the collective challenges we face and successes we have.
Arts|Learning believes forging partnerships with like-minded individuals, organizations, and
institutions is the most effective way to support our mission. A|L relies on support
from individuals, community partners, corporations, and foundations to provide high
quality arts in education programming, professional development, and resources.
In addition to many generous individuals...
We are pleased that KRIS Wines is featuring Arts|Learning beginning March, 2010, and supporting our programs through sales of its wines in New England. This is part of their overall program to support arts education throughout the United States. Thank you, KRIS Wines!
Arts|Learning awarded major grant to plan two Boston Innovation Schools!
March 17, 2011
Arts|Learning is pleased that an innovation school prospectus to convert the Haynes Early Education Center and the Higgison-Lewis K-8 School (Roxbury section of Boston) into a new type of school in Massachusetts received initial approval in January from Dr. Carole Johnson, Superintendent of the Boston Public Schools, the Boston School Committee, and the Boston Teachers Union. Following this first step, Arts|Learning along with its partners (see below) then applied for two Innovation School Planning grants from the MA Executive Office of Education. We are thrilled to report that we have received the two planning grants for the schools. A news release about these grants may be seen here.
This culminates more than a year of work on the part of Cleopatra Knight-Wilkins, Senior Program Director of the Arts of the Boston Public Schools with the help of Arts|Learning personnel Jonathan Rappaport, Joseph Cronin, and Charles Combs; Valerie Gumes, principal of the Haynes EEC; Joy Salesman-Oliver, principal of the Higginson-Lewis School; Torri Canada and several members of the Marjorie Eloise Parks Music School planning group; Mary Epstein from the Kodály Music Institute of the New England Conservatory; and Corey Evans from the Boston Arts Academy.
Please read our prospectus summary for more information about the Arts Pathway these two schools will create. Currently we are hoping to thoroughly plan the two schools and have them ready for re-opening as Innovation Schools by September, 2012. Please click here to learn more about Innovation Schools compared with other types of autonomous or semi-autonomous schools in Massachusetts.
About our Executive Director:
Jonathan C. Rappaport comes to Arts|Learning with a wealth of experience in the arts, education, grant writing, and community collaboration. In addition to his post with Arts|Learning, Jonathan currently co-directs the Kodály Music Institute at New England Conservatory, Boston, where he also teaches courses in pedagogy, materials analysis, conducting, and is director of Canción, a children's chorus held each summer.
Jonathan is the former Executive Director of the Conservatory Lab Charter School (Brighton, MA) and the former Curriculum Liaison for the Arts of the Worcester (MA) Public Schools. He is a conductor, educator, composer, pianist, singer, author, and consultant for school systems. He has served as the choral director of numerous schools, children’s festival honor choirs, churches, synagogues, and community choral groups. He taught music at all grade levels in public schools in New York, Connecticut, and Massachusetts.
Rappaport has published 18 choral works and 4 books, and is the recipient of the Moss Hart Theatre Award (New England Theatre Conference, 2000), the Distinguished Service and Lowell Mason Awards (MA Music Educators, 2007, 2004), and the Irene Buck Service to Arts Education Award (MA Alliance for Arts Education, 2004). He has taught music, trained teachers nationally, presented at national and state conferences in over a dozen states, and directed choruses for 40 years. He served on the panel that wrote the MA Arts Curriculum Framework (1999) and currently serves on numerous boards and committess, including the Arts Education Advisory Council for the MA Department of Elementary and Secondary Education.
Jonathan’s biography appears in the International Who's Who in Music and Who's Who in America. Graduate study has included work towards a PhD at the University of Massachusetts, Amherst (ABD), M.M. from New England Conservatory (with honors), and a Kodaly Certificate from the Franz Liszt Academy, Budapest.